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According to Chas Stoddard inA Short History of Tuning and Temperament, this fractality/recursiveness allows octaves to be decoded at the same point in each layer of the spiral, and may therefore be why we can discern octaves at all (meaning, that without this cochlea design, we would just hear pitch rising or lowering, we would not be able to identify that, for example, 256 Hz is C, as is 512 Hz also C). The octave concept would be almost meaningless and sonically undetectable to us.
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A bilateral cross-section of the cochlea is mathematically describable through the Fibonacci series (the Golden Ratio/Phi as manifested in nature). (A=444 Hz belongs to a different scale, where C=528 Hz.)īut there’s more: the cochlea, the part of the inner ear that converts acoustic impulses into electrical signals, has a seashell-like spiral shape. As far as many guitarists are concerned, A=432 Hz seems to be the most practical, optimal, and most bio-friendly resonant tuning we have, although many musicians have also favoured A=444. Ancient Egyptian and Greek instruments have reportedly been found to be tuned to 432 Hz. For maximum suppression of human consciousness, the frequencies we naturally resonate with, and which are the most biologically and psycho-spiritually enhancing, must be maximally suppressed. Interestingly, the difference between 440 and 741 Hz is known in musicology as the Devil’s Interval. Theoretically, the vibration stimulates ego and left-brain function, suppressing the “heart-mind,” intuition and creative inspiration. Alternatively, chakras above the heart are stimulated.
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“This tuning was unanimously approved at the Congress of Italian musicians in 1881 and recommended by the physicists Joseph Sauveur and Felix Savart as well as by the Italian scientist Bartolomeo Grassi Landi.” īipolar Depression Test Early Signs of CancerĪccording to preliminary research, analysis, and professional discussions by Walton, Koehler, Reid, et al., on the web, A=440Hz frequency music conflicts with human energy centers (i.e., chakras) from the heart to the base of the spine. Many, many musicians, through recent centuries have expressed their strong preference for the A=432 reference pitch. One must surely ask why Nazi propaganda minister, Joseph Goebbels, argued for this odd intrusion into musical creativity, persuading Hitler’s supposed enemies in Britain to adopt this “superior” standard tuning for the “Aryan/Master Race.” What did the Nazis (and their secretive by well-documented US financiers) have to gain from this? It is interesting, also, to note that in October 1953, despite the British and Nazi push for the arbitrary A=440 standard (which is “disharmonic” vis à vis the physico-acoustic laws of creation governing reality), a referendum of 23,000 French musicians voted overwhelmingly in favour of A=432Hz. The American Federation of Musicians had already accepted the A440 as standard pitch in 1917, and the U.S. Three decades later, the British Standards Institute (BSI) adopted the A=440Hz standard following staunch promotion by the Rockefeller-Nazi consortium-“at the precise time WWII preparations were being finalized by the petrochemical-pharmaceutical war financiers.” This was the year that A=440 became the international standard. In 1910 an earlier push to effect the same change was met with limited success. This happened in 1939 when the tuning of the note ‘A above Middle C’ to 440 Hz was adopted in the world of music.
Len Horowitz has referred to as the strategic “militarization” of music. In modern history in particular, there has been what Dr. The goal has clearly been to keep us as gullible and subservient as possible, through multifarious means. Humankind is the largely unwitting victim of a frequency war on our consciousness that has been waged for decades, if not millennia.
Murphy, Guest GA=440Hz: Not Quite Music to My Ears
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